Original work on canvas by painter Dominika Žáková.
If you are interested in delivery, contact us at hello@slavicadesign.com.
Original work on canvas by painter Dominika Žáková.
If you are interested in delivery, contact us at hello@slavicadesign.com.
Original work on canvas by painter Dominika Žáková.
If you are interested in delivery, contact us at hello@slavicadesign.com.
Asia. Illustrations. Women. Minimalism. Žužu likes to draw female motifs often based on herself and her experiences. She likes to portray a woman as a strong personality because she believes that women are strong creatures who can handle anything.
If you are interested in the delivery of the artwork, contact us on hello@slavicadesign.com.
In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.
In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.
In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.
In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.
In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.
Asia. Illustrations. Women. Minimalism. Žužu likes to draw female motifs often based on herself and her experiences. She likes to portray a woman as a strong personality because she believes that women are strong creatures who can handle anything.
The work from Marek Ormandík's current work is part of the Bouquets series. Not the detail, but the whole is important, the surface of the painting is eruptive, created with dramatic, juicy handwriting, quivering lines, traces of flowing colors.
We offer pickup at store – if you are interested in delivery, please contact us at hello@slavicadesign.com for individual price offer.
The works from the Wildflower series were created as a collaboration or rather a "game" between the author and her two-year-old son. The spontaneous canvases are dominated by the son's drawing without any navigation. The charcoal and pastel drawings are complemented by coloured areas, transitions or structures by the author and carry a kind of story of their mutual connection. In the paintings, you can see narrative scenes that are more legible to the viewer, but also a more abstract spectacles created by the son's drawing and the author's gestural handwriting.
