paintings

The series of works on paper and cardboard presents abstract works, records in which relaxed acrylic painting and mainly oil pastel drawing prevail. One can read a subtle reflection of the reality of nature in them. A strong inspiration is the landscape, mountains, motifs of gardens, flowers, birds, fish, sea life, minerals. Drawings-paintings are supposed to create a light and ephemeral impression of a captured moment – such as the Impressionists did in the past. The records are fast, layered and a result of combination of different painting techniques. For some, paste paint or metallic paint was also used, but mainly a high-quality background in the form of paper or canvas.

The series of works on paper and cardboard presents abstract works, records in which relaxed acrylic painting and mainly oil pastel drawing prevail. One can read a subtle reflection of the reality of nature in them. A strong inspiration is the landscape, mountains, motifs of gardens, flowers, birds, fish, sea life, minerals. Drawings-paintings are supposed to create a light and ephemeral impression of a captured moment – such as the Impressionists did in the past. The records are fast, layered and a result of combination of different painting techniques. For some, paste paint or metallic paint was also used, but mainly a high-quality background in the form of paper or canvas.

The series of works on paper and cardboard presents abstract works, records in which relaxed acrylic painting and mainly oil pastel drawing prevail. One can read a subtle reflection of the reality of nature in them. A strong inspiration is the landscape, mountains, motifs of gardens, flowers, birds, fish, sea life, minerals. Drawings-paintings are supposed to create a light and ephemeral impression of a captured moment – such as the Impressionists did in the past. The records are fast, layered and a result of combination of different painting techniques. For some, paste paint or metallic paint was also used, but mainly a high-quality background in the form of paper or canvas.

The series of works on paper and cardboard presents abstract works, records in which relaxed acrylic painting and mainly oil pastel drawing prevail. One can read a subtle reflection of the reality of nature in them. A strong inspiration is the landscape, mountains, motifs of gardens, flowers, birds, fish, sea life, minerals. Drawings-paintings are supposed to create a light and ephemeral impression of a captured moment – such as the Impressionists did in the past. The records are fast, layered and a result of combination of different painting techniques. For some, paste paint or metallic paint was also used, but mainly a high-quality background in the form of paper or canvas.

In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.

In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.