paintings

The series of works on paper and cardboard presents abstract works, records in which relaxed acrylic painting and mainly oil pastel drawing prevail. One can read a subtle reflection of the reality of nature in them. A strong inspiration is the landscape, mountains, motifs of gardens, flowers, birds, fish, sea life, minerals. Drawings-paintings are supposed to create a light and ephemeral impression of a captured moment – such as the Impressionists did in the past. The records are fast, layered and a result of combination of different painting techniques. For some, paste paint or metallic paint was also used, but mainly a high-quality background in the form of paper or canvas.

The series of works on paper and cardboard presents abstract works, records in which relaxed acrylic painting and mainly oil pastel drawing prevail. One can read a subtle reflection of the reality of nature in them. A strong inspiration is the landscape, mountains, motifs of gardens, flowers, birds, fish, sea life, minerals. Drawings-paintings are supposed to create a light and ephemeral impression of a captured moment – such as the Impressionists did in the past. The records are fast, layered and a result of combination of different painting techniques. For some, paste paint or metallic paint was also used, but mainly a high-quality background in the form of paper or canvas.

The series of works on paper and cardboard presents abstract works, records in which relaxed acrylic painting and mainly oil pastel drawing prevail. One can read a subtle reflection of the reality of nature in them. A strong inspiration is the landscape, mountains, motifs of gardens, flowers, birds, fish, sea life, minerals. Drawings-paintings are supposed to create a light and ephemeral impression of a captured moment – such as the Impressionists did in the past. The records are fast, layered and a result of combination of different painting techniques. For some, paste paint or metallic paint was also used, but mainly a high-quality background in the form of paper or canvas.

In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.

In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.

The work from Marek Ormandík's current work is part of the Bouquets series. Not the detail, but the whole is important, the surface of the painting is eruptive, created with dramatic, juicy handwriting, quivering lines, traces of flowing colors.

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Marek Ormandík unconventionally and boldly portrays classic themes while demolishing myths and familiar iconography. These are not noble shapes and faces. With quick, dynamic strokes of the brush, he lightly outlines his passionate, schizophrenic split naked figures and heads on paper. Not the detail, but the whole is important, the surface of the painting is eruptive, created by dramatic, juicy handwriting, quivering lines, traces of flowing colors.

The viewer is more used to the author's large-format canvases but in this series, Patrícia Koyšová presents paintings and prints on paper in smaller formats. Here, the paper reveals itself in its naked form. Paintings on paper are not preparatory sketches. They are independent originals, they capture the processes and topics on which the author works during individual series. The theme is not only the painting itself but also small story hidden in the work.