paintings

The artwork comes from Marek Ormandík's Bouquets series. Not the detail, but the whole is important, the surface of the painting is eruptive, created by dramatic, juicy handwriting, quivering lines, traces of flowing colors.

If you are interested in the shipment of the artwork, contact us at hello@slavicadesign.com.

Original work on canvas by painter Dominika Žáková.

If you are interested in delivery, contact us at hello@slavicadesign.com.

In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.

In her current works on paper, the author continues in her theme of depicting roads/spaces. The roads are either very simple, winding or with several crossings – intersections. Her effort is to stimulate the viewer to think, to decide, to awaken or calm his life journey. No path is bad unless we consciously choose a truly destructive one. Every path leads us to our better life. It is not always easy, but with the help of joyful, bright colors, the author wants to assure the viewer that it can be managed – even though with a little rose-coloured glasses. The naivety that accompanied her previous works is disappearing, but the already mentioned colour hides an ever-present pinch of hope and encouragement even in the most difficult life situations. You can also find a small figure that is me/you/he/she. The figurine moves, rises, is static or ready for the next "level". Natalia's paintings are a space for contemplation, peace for the soul, and a kind of abstract encrypted guide on our playground when we fall out of the game.

The work from Marek Ormandík's current work is part of the Bouquets series. Not the detail, but the whole is important, the surface of the painting is eruptive, created with dramatic, juicy handwriting, quivering lines, traces of flowing colors.

We offer pickup at store – if you are interested in delivery, please contact us at hello@slavicadesign.com for individual price offer.

Marek Ormandík unconventionally and boldly portrays classic themes while demolishing myths and familiar iconography. These are not noble shapes and faces. With quick, dynamic strokes of the brush, he lightly outlines his passionate, schizophrenic split naked figures and heads on paper. Not the detail, but the whole is important, the surface of the painting is eruptive, created by dramatic, juicy handwriting, quivering lines, traces of flowing colors.

Marek Ormandík unconventionally and boldly portrays classic themes while demolishing myths and familiar iconography. These are not noble shapes and faces. With quick, dynamic strokes of the brush, he lightly outlines his passionate, schizophrenic split naked figures and heads on paper. Not the detail, but the whole is important, the surface of the painting is eruptive, created by dramatic, juicy handwriting, quivering lines, traces of flowing colors.

Marek Ormandík unconventionally and boldly portrays classic themes while demolishing myths and familiar iconography. These are not noble shapes and faces. With quick, dynamic strokes of the brush, he lightly outlines his passionate, schizophrenic split naked figures and heads on paper. Not the detail, but the whole is important, the surface of the painting is eruptive, created by dramatic, juicy handwriting, quivering lines, traces of flowing colors.