Archive reproduction of the artwork by Miriama Schniererová. Her work is dominated by the theme of time, death, transience, which is lightened by the painting's colouring. The graphic is signed and numbered by the author, limited to 100 pieces.
The Autumnist series is a free continuation of the Fallen Petals series. It was created from drawings of pressed flower petals that the author found in the Netherlands during her internship. She put them in a notebook and forgot about them. After a long time, she found them and as a reminder of the memories of the time spent abroad, she turned them into a series of graphics.
The Autumnist series is more focused on the shape of the individual petals and the combination of 2 or 3 colours. The name comes from autumn, which for Lívia is mostly defined by the changing colours of the leaves on the trees and their falling (and feelings of nostalgia). The graphics are printed with a risograph which uses natural pigments made from rice. Their special feature is the changing colour during pressing. The author tries different colour combinations which are transformed in various ways in the end, just like the leaves in autumn.
The CISAROVE project was created as a graphic creation of city fragments based on the visual principles of Bauhaus, Suprematism or Constructivism, where basic geometric shapes such as a square, circle or line are given the main word. The main graphic criteria are internal logic and order which are defined by a grid in the ratio of 40 x 60. The graphic is signed and numbered, limited to 100 pieces.
Black lines is one of 200 drawings that were part of the author's bachelor's thesis called Line by line, where he devoted himself to experiencing the present moment through a repetitive drawing method by repeating straight lines.
Limited edition of 60 risographs made by the duo Ové Pictures, printed on a risograph in the Hibernant studio in Banská Štiavnica.
The CISAROVE project was created as a graphic creation of city fragments based on the visual principles of Bauhaus, Suprematism or Constructivism, where basic geometric shapes such as a square, circle or line are given the main word. The main graphic criteria are internal logic and order which are defined by a grid in the ratio of 40 x 60. The digital print features the Museum of the Slovak National Uprising in Banská Bystrica. The graphic is signed and numbered, limited to 200 pieces.
